orld.
Members of the Institute, celebrated artists, notable writers,
tried in vain to elude the watch-word [consigne] and penetrate
into the church, where the women were in a very great
majority. Some had come from London, Vienna, and Berlin.

In continuation of my account of the funeral service I shall quote from
a report in the Daily News of November 2, 1849:--

The coffin was under a catafalque which stood in the middle of
the area. The semicircular space behind the steps of the altar
was screened by a drapery of black cloth, which being
festooned towards the middle, gave a partial view of the vocal
and instrumental orchestra, disposed not in the usual form of
a gradual ascent from the front to the back, but only on the
level of the floor....

The doors of the church were opened at eleven o'clock, and at
noon (the time fixed for the commencement of the funeral
service) the vast area was filled by an assembly of nearly
three thousand persons, all of whom had received special
invitations, as being entitled from rank, from station in the
world of art and literature, or from friendship for the
lamented deceased, to be present on so solemn and melancholy
an occasion.

A trustworthy account of the whole ceremony, and especially a clear and
full report of the musical part of the service, we find in a letter
from the Paris correspondent of The Musical World (November 10, 1849).
I shall quote some portions of this letter, accompanying them with
elucidatory and supplementary notes:--

The ceremony, which took place on Tuesday (the 30th ult.), at
noon, in the church of the Madeleine, was one of the most
imposing we ever remember to have witnessed. The great door of
the church was hung with black curtains, with the initials of
the deceased, "F. C.," emblazoned in silver. On our entry we
found the vast area of the modern Parthenon entirely crowded.
Nave, aisles, galleries, &c., were alive with human beings who
had come to see the last of Frederick Chopin. Many, perhaps,
had never heard of him before....In the space that separates
the nave from the choir, a lofty mausoleum had been erected,
hung with black and silver drapery, with the initials "F.C."
emblazoned on the pall. At noon the service began. The
orchestra and chorus (both from the Conservatoire, with M.
Girard as conductor and the principal singers (Madame Viardot-
Garcia, Madame Castellan, Signo