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ng way into the dim and distant future. Is Leo really a reincarnation of the ancient Kallikrates of whom the inscription tells? Or was Ayesha deceived by some strange hereditary resemblance? The reader must form his own opinion on this as on many other matters. I have mine, which is that she made no such mistake. Often I sit alone at night, staring with the eyes of the mind into the blackness of unborn time, and wondering in what shape and form the great drama will be finally developed, and where the scene of its next act will be laid. And when that _final_ development ultimately occurs, as I have no doubt it must and will occur, in obedience to a fate that never swerves and a purpose that cannot be altered, what will be the part played therein by that beautiful Egyptian Amenartas, the Princess of the royal race of the Pharaohs, for the love of whom the Priest Kallikrates broke his vows to Isis, and, pursued by the inexorable vengeance of the outraged Goddess, fled down the coast of Libya to meet his doom at Kor? End of the Project Gutenberg EBook of She, by H. Rider Haggard *** END OF THIS PROJECT GUTENBERG EBOOK SHE *** ***** This file should be named 3155.txt or 3155.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/5/3155/ Produced by John Bickers; Dagny; William Kyngesburye; David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark licen
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