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ed Hulda, he closed it with the charming Siegfrid. The next day, followed by the acclamations of the whole valley of Vesjorddal, he departed, but not without having solemnly promised to return for Joel's marriage, which was celebrated a few weeks afterward, to the great delight of the contracting parties. This time the professor opened the ball with the charming Siegfrid, and closed it with his dear Hulda; and he has never given any display of his proficiency in the terpsichorean art since that time. What happiness now reigned in this household which had been so cruelly tried! It was undoubtedly due in some measure, at least, to the efforts of Sylvius Hogg; but he would not admit it, and always declared: "No, no; it is I who am still under obligations to Dame Hansen's children." As for the famous ticket, it was returned to Ole Kamp after the drawing; and now, in a neat wooden frame, it occupies the place of honor in the hall of the inn at Dal. But what the visitor sees is not the side of the ticket upon which the famous number 9672 is inscribed, but the last farewell that the shipwrecked sailor, Ole Kamp, addressed to Hulda Hansen, his betrothed. ***END OF THE PROJECT GUTENBERG EBOOK TICKET NO. "9672"*** ******* This file should be named 13527.txt or 13527.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/1/3/5/2/13527 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject
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