as a pure amateur, possessed the greatest love, as they made
tracks arm in arm across Beresford place. Wagnerian music, though
confessedly grand in its way, was a bit too heavy for Bloom and hard to
follow at the first go-off but the music of Mercadante's _Huguenots_,
Meyerbeer's _Seven Last Words on the Cross_ and Mozart's _Twelfth Mass_
he simply revelled in, the _Gloria_ in that being, to his mind, the acme
of first class music as such, literally knocking everything else into
a cocked hat. He infinitely preferred the sacred music of the catholic
church to anything the opposite shop could offer in that line such as
those Moody and Sankey hymns or _Bid me to live and i will live
thy protestant to be_. He also yielded to none in his admiration of
Rossini's _Stabat Mater_, a work simply abounding in immortal numbers,
in which his wife, Madam Marion Tweedy, made a hit, a veritable
sensation, he might safely say, greatly adding to her other laureis and
putting the others totally in the shade, in the jesuit fathers' church
in upper Gardiner street, the sacred edifice being thronged to the
doors to hear her with virtuosos, or _virtuosi_ rather. There was the
unanimous opinion that there was none to come up to her and suffice it
to say in a place of worship for music of a sacred character there was
a generally voiced desire for an encore. On the whole though favouring
preferably light opera of the _Don Giovanni_ description and _Martha_,
a gem in its line, he had a _penchant_, though with only a surface
knowledge, for the severe classical school such as Mendelssohn. And
talking of that, taking it for granted he knew all about the old
favourites, he mentioned _par excellence_ Lionel's air in _Martha,
M'appari_, which, curiously enough, he had heard or overheard, to be
more accurate, on yesterday, a privilege he keenly appreciated, from the
lips of Stephen's respected father, sung to perfection, a study of the
number, in fact, which made all the others take a back seat. Stephen, in
reply to a politely put query, said he didn't sing it but launched
out into praises of Shakespeare's songs, at least of in or about that
period, the lutenist Dowland who lived in Fetter lane near Gerard the
herbalist, who _anno ludendo hausi, Doulandus_, an instrument he was
contemplating purchasing from Mr Arnold Dolmetsch, whom B. did not quite
recall though the name certainly sounded familiar, for sixtyfive guineas
and Farnaby and son with their _du