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y easy indeed. The main difficulty is the daily need for drilling the voice until it has the same quality every day. It can be done only by incessant attention. Here are some of the exercises I do every day with my accompanist: [Illustration: musical notation _First time forte second time piano._] DAVID BISPHAM BIOGRAPHICAL David Bispham, in many ways the most distinguished of all American singers, was born in Philadelphia January 5th, 1857. Educated at Haverford College, Pa. At first a highly successful amateur in Philadelphia choirs and theatricals, he went to Milan in 1886, studying with Vannuccini, Lamperti and later in London with Shakespeare and Randegger. His operatic debut was made in Messager's _Basoche_ at the Royal English Opera House, 1891. In 1892 he appeared as Kurvenal and met with great favor. His Wagnerian roles have been especially distinctive since the start. From 1896 to 1909 he sang alternately at the Metropolitan in New York and at Covent Garden in London, and was admittedly one of the foremost attractions of those great companies in the golden era of our operatic past. He was also immensely in demand as a recital and as an oratorio singer and as a dramatic reader. Few singers have shown the versatility and mastery of David Bispham and few have been so justly entitled to the academic honors LL.D., B.A., and Mus. Doc., which he had earned. He was the author of numerous articles on singing--the very successful autobiography, "A Quaker Singer's Reminiscences," and the collections, "David Bispham's Recital Album," "The David Bispham Song Book" (for schools). He was also ever a strong champion of the use of the English language in singing. He died in New York City Oct. 2d, 1921. [Illustration: DAVID BISPHAM.] THE MAIN ELEMENTS OF INTERPRETATION DAVID BISPHAM So many things enter into the great problem of interpretation in singing that it is somewhat difficult to state definitely just what the young singer should consider the most important. Generally speaking, the following factors are of prime significance: 1. Natural Aptitude. 2. General Education and Culture. 3. Good Musical Training. 4. Accurate Vocal Training. 5. Familiarity with Traditions. 6. Freedom of Mind. 7. Good Health. 8. Life Experience. 9. Personal Magnetism--one of the most essential,--and 10. Idealism. 1. _Natural Aptitude._--You will notice that fore
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