y easy indeed. The main difficulty is the daily need for
drilling the voice until it has the same quality every day. It can be
done only by incessant attention. Here are some of the exercises I do
every day with my accompanist:
[Illustration: musical notation
_First time forte second time piano._]
DAVID BISPHAM
BIOGRAPHICAL
David Bispham, in many ways the most distinguished of all American
singers, was born in Philadelphia January 5th, 1857. Educated at
Haverford College, Pa. At first a highly successful amateur in
Philadelphia choirs and theatricals, he went to Milan in 1886, studying
with Vannuccini, Lamperti and later in London with Shakespeare and
Randegger. His operatic debut was made in Messager's _Basoche_ at the
Royal English Opera House, 1891. In 1892 he appeared as Kurvenal and met
with great favor. His Wagnerian roles have been especially distinctive
since the start. From 1896 to 1909 he sang alternately at the
Metropolitan in New York and at Covent Garden in London, and was
admittedly one of the foremost attractions of those great companies in
the golden era of our operatic past. He was also immensely in demand as
a recital and as an oratorio singer and as a dramatic reader. Few
singers have shown the versatility and mastery of David Bispham and few
have been so justly entitled to the academic honors LL.D., B.A., and
Mus. Doc., which he had earned. He was the author of numerous articles
on singing--the very successful autobiography, "A Quaker Singer's
Reminiscences," and the collections, "David Bispham's Recital Album,"
"The David Bispham Song Book" (for schools). He was also ever a strong
champion of the use of the English language in singing. He died in New
York City Oct. 2d, 1921.
[Illustration: DAVID BISPHAM.]
THE MAIN ELEMENTS OF INTERPRETATION
DAVID BISPHAM
So many things enter into the great problem of interpretation in singing
that it is somewhat difficult to state definitely just what the young
singer should consider the most important. Generally speaking, the
following factors are of prime significance:
1. Natural Aptitude.
2. General Education and Culture.
3. Good Musical Training.
4. Accurate Vocal Training.
5. Familiarity with Traditions.
6. Freedom of Mind.
7. Good Health.
8. Life Experience.
9. Personal Magnetism--one of the most essential,--and
10. Idealism.
1. _Natural Aptitude._--You will notice that fore
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