FREE BOOKS

Author's List




PREV.   NEXT  
|<   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48  
49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   >>   >|  
w have plucked out their own, to set a crown upon his head. Such is the natural result, when the intensities of admiration and compassion meet together in the human breast. From all which it may well be thought that Caesar was too great for the hero of a drama, since his greatness, if brought forward in full measure, would leave no room for anything else, at least would preclude any proper dramatic balance and equipoise. It was only as a sort of underlying potency, or a force withdrawn into the background, that his presence was compatible with that harmony and reciprocity of several characters which a well-ordered drama requires. At all events, it is pretty clear that, where he was, such figures as Brutus and Cassius could never be very considerable, save as his assassins. They would not have been heard of in after times, if they had not "struck the foremost man of all this world"; in other words, the great sun of Rome had to be shorn of his beams, else so ineffectual a fire as Brutus could nowise catch the eye. Be this as it may, there is no doubt that Shakespeare knew the whole height and compass of Caesar's vast and varied capacity. It may be regretted that he did not render him as he evidently saw him, inasmuch as he alone, perhaps, of all the men who ever wrote could have given an adequate expression of that colossal man. It is possible that the policy of the drama may have been to represent Caesar not as he was indeed, but as he must have appeared to the conspirators; to make us see him as they saw him, in order that they too might have fair and equal judgment at our hands. For Caesar was literally too great to be seen by them, save as children often see bugbears by moonlight, when their inexperienced eyes are mocked with air. And Shakespeare may well have judged that the best way to set us right towards them was by identifying us more or less with them in mental position, and making us share somewhat in their delusion. For there is scarce anything wherein we are so apt to err as in reference to the characters of men, when time has settled and cleared up the questions in which they lost their way: we blame them for not having seen as we see; while in truth the things that are so bathed in light to us were full of darkness to them, and we should have understood them better, had we been in the dark along with them. Caesar, indeed, was not bewildered by the political questions of his time; but all the rest we
PREV.   NEXT  
|<   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48  
49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   >>   >|  



Top keywords:

Caesar

 

questions

 
Brutus
 
characters
 
Shakespeare
 

expression

 

policy

 

evidently

 

represent

 

colossal


literally

 

judgment

 

adequate

 

appeared

 

conspirators

 
mental
 

things

 
reference
 

settled

 
cleared

bathed

 

bewildered

 
political
 

darkness

 

understood

 

judged

 

mocked

 

bugbears

 

moonlight

 

inexperienced


delusion

 
scarce
 

making

 

identifying

 

position

 

children

 

proper

 

dramatic

 

balance

 

preclude


forward

 

measure

 

equipoise

 

background

 

presence

 

compatible

 
harmony
 
withdrawn
 
underlying
 

potency