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TON This story carries one back to Washington, a city then in its infancy. The story throws a strong light on the early customs and life of the people. A LITTLE GIRL IN OLD PHILADELPHIA Little Primrose was the child of Friends, or Quakers. The author tells Primrose's experiences among very strict Quakers, and then among worldly people. A LITTLE GIRL IN OLD QUEBEC The heroine is called "The Rose of Quebec." The picturesque life of this old French city, as seen through the eyes of the little girl, is here pictured. A LITTLE GIRL IN OLD SALEM Cynthia Leveritt lived in old Salem about one hundred years ago. Cynthia grows up, and so dear a girl could scarce have failed to have a romance develop. The book will be enjoyed by all girls. A LITTLE GIRL IN OLD ST. LOUIS This story will give a delightful treat to any girl who reads it. The early days of this historical old city are depicted in a manner at once true and picturesque. A LITTLE GIRL IN OLD DETROIT The stirring times in which the little girl lived, and the social life of a bygone age are depicted very happily. The heroine is a charming girl. End of Project Gutenberg's The Boy Chums in the Forest, by Wilmer M. Ely *** END OF THIS PROJECT GUTENBERG EBOOK THE BOY CHUMS IN THE FOREST *** ***** This file should be named 27561.txt or 27561.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/5/6/27561/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and g
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