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at the series of coins of the best time of Greek art, which I have just set before you? Are any of these goddesses or nymphs very beautiful? Certainly the Junos are not. Certainly the Demeters are not. The Siren, and Arethusa, have well-formed and regular features; but I am quite sure that if you look at them without prejudice, you will think neither reaches even the average standard of pretty English girls. The Venus Urania suggests at first the idea of a very charming person, but you will find there is no real depth nor sweetness in the contours, looked at closely. And remember, these are chosen examples,--the best I can find of art current in Greece at the great time; and if even I were to take the celebrated statues, of which only two or three are extant, not one of them excels the Venus of Melos; and she, as I have already asserted, in the 'Queen of the Air,' has nothing notable in feature except dignity and simplicity. Of Athena I do not know one authentic type of great beauty; but the intense ugliness which the Greeks could tolerate in their symbolism of her will be convincingly proved to you by the coin represented in Plate VI. You need only look at two or three vases of the best time to assure yourselves that beauty of feature was, in popular art, not only unattained, but unattempted; and, finally,--and this you may accept as a conclusive proof of the Greek insensitiveness to the most subtle beauty,--there is little evidence even in their literature, and none in their art, of their having ever perceived any beauty in infancy, or early childhood. 195. The Greeks, then, do not give passion, do not give character, do not give refined or naive beauty. But you may think that the absence of these is intended to give dignity to the gods and nymphs; and that their calm faces would be found, if you long observed them, instinct with some expression of divine mystery or power. I will convince you of the narrow range of Greek thought in these respects, by showing you, from the two sides of one and the same coin, images of the most mysterious of their deities, and the most powerful,--Demeter, and Zeus. Remember that just as the west coasts of Ireland and England catch first on their hills the rain of the Atlantic, so the Western Peloponnese arrests, in the clouds of the first mountain ranges of Arcadia, the moisture of the Mediterranean; and over all the plains of Elis, Pylos, and Messene, the strength and sustenance
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