circlet between the
feet. On other coins you find his name inscribed there, but in this you
have his habitation, the haunted Island of Leuce itself, with the waves
flowing round it.

[Illustration: XIX.

ZEUS OF MESSENE.

AJAX OF OPUS.]

199. Again and again, however, I have to remind you, with respect to
these apparently frank and simple failures, that the Greek always
intends you to think for yourself, and understand, more than he can
speak. Take this instance at our hands, the trim little circlet for the
Island of Leuce. The workman knows very well it is not like the island,
and that he could not make it so; that, at its best, his sculpture can
be little more than a letter; and yet, in putting this circlet, and its
encompassing fretwork of minute waves, he does more than if he had
merely given you a letter L, or written 'Leuce.' If you know anything of
beaches and sea, this symbol will set your imagination at work in
recalling them; then you will think of the temple service of the
novitiate sea-birds, and of the ghosts of Achilles and Patroclus
appearing, like the Dioscuri, above the storm-clouds of the Euxine. And
the artist, throughout his work, never for an instant loses faith in
your sympathy and passion being ready to answer his;--if you have none
to give, he does not care to take you into his counsel; on the whole,
would rather that you should not look at his work.

200. But if you have this sympathy to give, you may be sure that
whatever he does for you will be right, as far as he can render it so.
It may not be sublime, nor beautiful, nor amusing; but it will be full
of meaning, and faithful in guidance. He will give you clue to myriads
of things that he cannot literally teach; and, so far as he does teach,
you may trust him. Is not this saying much?

And as he strove only to teach what was true, so, in his sculptured
symbol, he strove only to carve what was--Right. He rules over the arts
to this day, and will forever, because he sought not first for beauty,
not first for passion, or for invention, but for Rightness; striving to
display, neither himself nor his art, but the thing that he dealt with,
in its simplicity. That is his specific character as a Greek. Of course
every nation's character is connected with that of others surrounding or
preceding it; and in the best Greek work you will find some things that
are still false, or fanciful; but whatever in it is false, or fanciful,
is not the Greek p