on, more than anybody else, what was modest, useful, and eternally
true; and as a workman, he verily did, or first suggested the doing of,
everything possible to man.

Take Daedalus, his great type of the practically executive craftsman, and
the inventor of expedients in craftsmanship, (as distinguished from
Prometheus, the institutor of moral order in art). Daedalus invents,--he,
or his nephew,

The potter's wheel, and all work in clay;
The saw, and all work in wood;
The masts and sails of ships, and all modes of motion;
(wings only proving too dangerous!)
The entire art of minute ornament;
And the deceptive life of statues.

By his personal toil, he involves the fatal labyrinth for Minos; builds
an impregnable fortress for the Agrigentines; adorns healing baths among
the wild parsley-fields of Selinus; buttresses the precipices of Eryx,
under the temple of Aphrodite; and for her temple itself--finishes in
exquisiteness the golden honeycomb.

207. Take note of that last piece of his art: it is connected with many
things which I must bring before you when we enter on the study of
architecture. That study we shall begin at the foot of the Baptistery of
Florence, which, of all buildings known to me, unites the most perfect
symmetry with the quaintest [Greek: poikilia]. Then, from the tomb of
your own Edward the Confessor, to the farthest shrine of the opposite
Arabian and Indian world, I must show you how the glittering and
iridescent dominion of Daedalus prevails; and his ingenuity in division,
interposition, and labyrinthine sequence, more widely still. Only this
last summer I found the dark red masses of the rough sandstone of
Furness Abbey had been fitted by him, with no less pleasure than he had
in carving them, into wedged hexagons--reminiscences of the honeycomb of
Venus Erycina. His ingenuity plays around the framework of all the
noblest things; and yet the brightness of it has a lurid shadow. The
spot of the fawn, of the bird, and the moth, may be harmless. But
Daedalus reigns no less over the spot of the leopard and snake. That
cruel and venomous power of his art is marked, in the legends of him, by
his invention of the saw from the serpent's tooth; and his seeking
refuge, under blood-guiltiness, with Minos, who can judge evil, and
measure, or remit, the penalty of it, but not reward good; Rhadamanthus
only can measure _that_; but Minos is essentially the recognizer of evil
deeds