d by Mr. Rawdon Brown from the archives of Venice, and
arranged and translated by him.

[45] Fondaco de Tedeschi. I saw the last wrecks of Giorgione's frescoes
on the outside of it in 1845.

[46] I beg that this statement may be observed with attention. It is of
great importance, as in opposition to the views usually held respecting
the grave schools of painting.

[47] The upper photograph in S. 50 is, however, not taken from the great
Paradise, which is in too dark a position to be photographed, but from a
study of it existing in a private gallery, and every way inferior. I
have vainly tried to photograph portions of the picture itself.

[48] He had, indeed, other and more solemn thoughts of the Night than
Correggio; and these he tried to express by distorting form, and making
her partly Medusa-like. In this lecture, as above stated, I am only
dwelling on points hitherto unnoticed of dangerous evil in the too much
admired master.

[49] Tintoret dissected, and used clay models, in the true academical
manner, and produced academical results thereby; but all his fine work
is done from life, like that of the Greeks.

End of the Project Gutenberg EBook of Aratra Pentelici, Seven Lectures on
the Elements of Sculpture, by John Ruskin

*** END OF THIS PROJECT GUTENBERG EBOOK ARATRA PENTELICI, SEVEN LECTURES ***

***** This file should be named 25897.txt or 25897.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/5/8/9/25897/

Produced by Juliet Sutherland, Josephine Paolucci and the
Online Distributed Proofreading Team at http://www.pgdp.net.

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any