eep it square to the front--chin high--now incline your head to
the right shoulder--up straight--now turn it to the left (around as
far as you can)--turn it front--turn it to the "right"--turn it
"front"--throw it "back"--look up, now "front"--drop "down" and now
"front."
[Illustration: ONE OF OVER TWENTY DAILY DANCING CLASSES AT THE NED
WAYBURN STUDIOS.]
[Illustration: _Inclining the Head_]
THE LESSON TO A CLASS IS AS FOLLOWS
Now, be careful to keep your lines straight up and down, directly
behind one another. Let those in the first line _across_ raise the
right hand. Second line across raise hands up; third line across, and
fourth line across. This is called across stage (indicating left to
right). This is called up and down stage (indicating front to back),
and going down this way (to the footlights) is moving down-stage.
Going toward the back wall is moving up-stage or back-stage.
[Illustration: _Diagram of Modern Theatre Stage_]
CONCERNING ENTRANCES AND EXITS
If you come in sight of the audience from that side (indicating left)
you are making an entrance from the left. If you leave in that
direction, you are making an exit to the left. It is an artistic feat
to make a good exit. It requires not only specialized training, but
also practical experience in front of an audience. It may be a vocal
exit, a dramatic or spoken exit, or a dancing exit, and one must reach
a decided climax at the exit. If the dance consists of eight steps,
properly spaced, the most effective steps are put in where they will
provoke applause. The last or finish step must get the most applause
or the dancer fails. So we put a climactic "trick" step in for a
finish, and then we top that with the exit, and the exit must be a
_surprise_. Otherwise, the dance has not built up from the time the
dancer makes an entrance and gets the attention of the audience. So
making an effective exit is really a difficult thing to do. You are
taught in the advanced instruction how to enter and exit properly.
One draws the applause on the eighth step by assuming a certain
attitude or by "striking a picture" which asks the audience for the
applause, and on the exit another round of applause can be earned, and
in this way the dance "gets over," or is "sold" to the audience, as we
say in the show business.
[Illustration: _Correct Standing Position_]
Now face the right, please. If you make an exit on that side you are
making an exit to the ri
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