the dance
and win applause. In different routines, the climax you will find
comes on different steps, depending upon the arrangement of the
routine. In order to put over a climax you must throw your personality
into it.

Exits as well as entrances are difficult of successful accomplishment.
It takes a great artist to make an effective exit. The exit should
always be made with the face toward the audience (unless there is some
special reason why the back is turned), so that the audience gets the
full effect of your facial expression.

All the dances in my courses are taught in a professional way. That
does not mean, of course, that you have to go on the professional
stage. Many girls and boys study with me who have no intention of
ever going on the stage. They do so because they know that my
limbering and stretching work and my type of dancing will make them
healthy, flexible and graceful, but nevertheless they are all taught
in a professional stage way, which is the only successful method.

My stage dancing is the type of dancing that gets over with an
audience. The old folk dances and the old-fashioned fancy dances no
longer appeal to the interest. But I teach the kind of dancing that is
in demand. If you should appear in any kind of entertainment for
charity or any private theatrical performances, you can make use of my
really professional stage dances; and since you are properly taught,
you will make a success, providing you profit by expert advice and
devote ample time to practice every day.

One reason that we get such good results in our school is on account
of the way in which we organize and conduct our classes. Everybody
must conform to discipline. You certainly will get discipline if you
go on the stage.

Everybody should get a copy of our booklet, "Your Career", if you
haven't already done so, and read it through from cover to cover. (A
copy will be sent free on request.) Read the call-board outside in the
office. In the professional theatre the call-board is usually placed
near the stage door. Anything of interest to the company is posted on
the call-board. Pupils in my courses are required to read the
call-board because in reading the call-board, the booklet and the
other literature that we get out, you will absorb a lot in the way of
showmanship and stage-craft. Any one of you, after taking my course,
should make a success on the stage because you will know how to dance
in a professional way. You w