ss. Remember that I am
always glad to talk with you and to help you about engagements when
you are ready, but you must prove your ability first.
No girl or boy can get an endorsement from me who misses a lesson
without offering a plausible excuse. You must be regular in attendance
and you must be punctual. If you miss a class you are obliged to
telephone in before the class starts. If you are ill you must bring a
doctor's certificate the next time you come to class. Your excuses
must be sent to me personally. If you telephone in, be sure that it is
sent through to me. I keep track of all the past pupils, and I do not
recommend pupils who have not worked faithfully or who have been
irregular in attendance.
There is a great incentive in class work, since you can get
encouragement and inspiration from the other girls. Some girls in the
class will take to the work more easily than others because they are
in better physical condition, but if a girl gets along faster and
better than you do, don't be discouraged by it. Just let it make you
more ambitious to do as well. Your time will come if you keep at it.
Do not try to practice in this room. This is a place to learn.
Practice your lesson, go over the exercises, at home, several hours a
day or use the practice rooms we provide. Don't be satisfied to come
into class and try to perfect your routines there. It isn't possible.
When you go on the stage professionally you will be expected to be
already fully informed as to certain necessary facts that concern all
actors everywhere. Much information about showmanship is given in our
makeup classes. You must take lessons in makeup before you go on the
stage. You will do well to practice the same things here in the
studio, now and all the time, in order to make you stage-wise and
perfect in necessary stage deportment.
One of the things required of you on the stage is to _stand still_.
Don't move about or turn your head or lop around or move your hands or
feet. You will have a fixed position established at rehearsals, when
you enter upon professional stage work, and if you do not hold it and
observe the rules about standing still, you will not be wanted and
will not last long. It seems a very simple thing to do, when you think
of it, but unless you do it right _here_, while you are learning the
basic facts about a stage career, you may fall down on it _there_.
Heed this advice, and you will be grateful to me for it sometime.
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