FREE BOOKS

Author's List




PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  
d," "_5_-and," "_6_-and," "_7_-and," "_8_-flat." [Illustration: _Heel Tap_] We now come to the heel tap, which is made and counted like this: Heel, 2, 3, 4, 5, 6, 7, flat (8 counts). The same with the right heel for the same counts (8). Practice these four taps, the straight, the front, the back, the heel, and the hop faithfully before you try to learn the buck dance, because from these four taps and the hop are built up many combinations which form complicated steps which you will want to learn later on. And the more you practice these fundamentals the better dancer you are going to be. Be sure to review, too, over and over again, the eight stage directions--front, left oblique, left, left oblique back, back, right oblique back, right, and right oblique. In "tap" dancing, as in the musical comedy dances, there will usually be ten steps; one "travelling" or entrance step which will bring you onto the stage (from "off stage" into the line of sight of the audience), eight dance steps, and one exit-step to take you "off," out of sight of the audience, which will always be in the nature of a _climax_ to provoke applause. But, as I have said above, in buck-dancing or in any type of tap and step dancing, the rhythm is most important, and in order to be thoroughly grounded on syncopated rhythms, I shall give you first of all a beginner's "time-step." After that you will learn a beginner's "break." The "time-step" and "break" are the keys to tap dancing and must be mastered before the tap dance can be learned. The "time-step" and "break" must be perfectly timed to the syncopated rhythm. And it is going to take long, patient periods of practice in order to perfect them. Do not get discouraged. Apply yourself keenly to both of these fundamental steps. [Illustration: PRIVATE LOCKERS IN DRESSING ROOMS] THE TIME STEP The purpose of the time step is to get the syncopation into the dancing step, and establish the "tempo" of the dance. With the weight on the left foot, front tap with the right, back tap with the right, hop with the left, with the right foot back and raised from the floor. The count is "And a _one_," with strong accent on "one." Now straight tap with right foot to count "two" and accent it. Do a front tap with the left (count "and"), left foot straight front (count "three" and accent), right foot straight (count "four" and accent). With the weight on the right foot, front tap with the left
PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  



Top keywords:

dancing

 

straight

 

accent

 

oblique

 
rhythm
 

practice

 

Illustration

 

counts

 

weight

 

syncopated


audience
 

beginner

 
rhythms
 
mastered
 

grounded

 

learned

 
fundamental
 

purpose

 
syncopation
 
DRESSING

establish

 

strong

 

raised

 

LOCKERS

 
perfect
 
periods
 

patient

 

discouraged

 

important

 

PRIVATE


keenly

 
perfectly
 

combinations

 

complicated

 

dancer

 
fundamentals
 

faithfully

 

Practice

 
counted
 

nature


climax

 

provoke

 

applause

 
musical
 

directions

 

review

 

comedy

 

dances

 

travelling

 

entrance