in the class. The success of
our school depends largely upon the way the classes are organized and
thereafter dominated. Much of the success of the work depends upon the
lectures you hear in the classes. They are in the form of
inspirational talks based on different subjects. You are required to
read all of our literature. Get and read the booklet entitled "Your
Career." Every month we issue a school paper, "The Ned Wayburn News,"
which tells of the activities of pupils of the school who are now
appearing in New York, or out on the road, and which has many
interesting articles and information monthly for students of the
dance. Please get a copy and read all of our literature--because it
gives you an idea of what the school and its present and graduate
pupils are accomplishing.
It is a well established rule of the studio that pupils shall weigh
themselves every Monday and keep a record of their weight from week to
week. For this purpose use the scales in the main office of the
studio, please. They are accurate. We have them tested and adjusted at
intervals to be sure that they are right. You are requested and
expected to come into my private office and talk with me once a week,
and when you do so I shall ask you about your weight, and you must be
prepared to tell me. I know just how much you ought to weigh, and am
interested in hearing whether you are gaining or losing flesh in the
proportion that you should. At the end of the four weeks' period I
shall ask each of you individually in the class about the variation in
your weights, and I am then able to tell who is faithfully following
my instructions as to practice, diet, hours of sleep and the other
simple and necessary requirements of our courses. For I know that if
my regime is observed as I request that it be, you will show it, and
if you neglect to follow my advice you will not have made the progress
you should, and will show that. You cannot disguise the real facts
from me.
I do not want any of you to overexert at these limbering and
stretching exercises. They are scientifically constructed to do for
you what no other known cultural movements of this kind will do. At
first they will tire you, leave you "all in," I have no doubt. I
expect that. You see, in these exercises you are putting into play a
lot of muscles that have been lying dormant, perhaps never been used
in the way you will use them in this class as preparation for health,
comeliness and dancing st
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