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rs is expressed in these simple, appealing words: There was no other good enough To pay the price of sin, He only could unlock the gate Of heaven, and let us in. Archbishop Alexander mentioned two hymns by which his wife's name, and incidentally his own, would be remembered. He might have added several others, such as the challenging hymn, "Jesus calls us; o'er the tumult," or the two beautiful children's hymns, "Once in royal David's city" and "All things bright and beautiful." And among her splendid poems he might have mentioned the sublime verses entitled "The Burial of Moses." Her own spirit of confiding trust in God is reflected in the lines: O lonely tomb in Moab's land! O dark Beth-peor's hill! Speak to these curious hearts of ours, And teach them to be still; God has His mysteries of grace, Ways that we cannot tell; He hides them deep, like the secret sleep Of him He loved so well. Mrs. Alexander died in 1895 at the age of seventy-two years. She was buried in Londonderry, Ireland. At Archbishop Alexander's funeral sixteen years later "The roseate hues of early dawn" was sung in Londonderry cathedral, and when the body was lowered into the grave the mourners sang, "There is a green hill far away." During the years when Mrs. Alexander was penning her beautiful lyrics, three other women were giving hymns to the English people in another way. They were Catherine Winkworth and the sisters Jane Borthwick and Sarah Borthwick Findlater, all three of whom had conceived a deep love for the wonderful hymns of Germany and were translating them into their native tongue. Miss Winkworth, who is the foremost translator of German hymns, was born in London, September 13, 1829. Her "Lyra Germanica," published in 1855, met with such favorable reception that a second series was issued in 1858. Her "Christian Singers of Germany" was published in 1869. Miss Winkworth possessed a marvelous ability of preserving the spirit of the great German hymns while she clothed them in another language. It was she who gave us in English dress such magnificent hymns as Rinkart's "Now thank we all our God," Luther's "Out of the depths I cry to Thee," Decius' "All glory be to God on high," Neander's "Praise to the Lord, the Almighty, the King of creation," Schmolck's "Open now thy gates of beauty," and Gerhardt's "All my heart this night rejoices." Miss Winkworth, more t
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