onveying of ideas, else
I might plead very well want of room in my paper as excuse for
generalizing). I want room to tell you how we are charmed with your
verses in the manner of Spenser, etc. I am glad you resume the
"Watchman." Change the name; leave out all articles of news, and
whatever things are peculiar to newspapers, and confine yourself to
ethics, verse, criticism; or, rather, do not confine yourself. Let your
plan be as diffuse as the "Spectator," and I 'll answer for it the work
prospers. If I am vain enough to think I can be a contributor, rely on
my inclinations. Coleridge, in reading your "Religious Musings," I felt
a transient superiority over you. I _have_ seen Priestley. I love to see
his name repeated in your writings. I love and honor him almost
profanely. You would be charmed with his _Sermons_, if you never read
'em. You have doubtless read his books illustrative of the doctrine of
Necessity. Prefixed to a late work of his in answer to Paine, there is a
preface giving an account of the man and his services to men, written by
Lindsey, his dearest friend, well worth your reading.
_Tuesday Eve_.--Forgive my prolixity, which is yet too brief for all I
could wish to say. God give you comfort, and all that are of your
household! Our loves and best good-wishes to Mrs. C.
C. LAMB.
[1] Coleridge contributed some four hundred lines to the second book of
Southey's epic.
III.
TO COLERIDGE.
_June_ 10, 1796.
With "Joan of Arc" I have been delighted, amazed, I had not presumed to
expect anything of such excellence from Southey. Why, the poem is alone
sufficient to redeem the character of the age we live in from the
imputation of degenerating in poetry, were there no such beings extant
as Burns, and Bowles, Cowper, and ----, ---- fill up the blank how you
please; I say nothing. The subject is well chosen; it opens well. To
become more particular, I will notice in their order a few passages that
chiefly struck me on perusal. Page 26: "Fierce and terrible
Benevolence!" is a phrase full of grandeur and originality, The whole
context made me feel _possessed_, even like Joan herself. Page 28: "It
is most horrible with the keen sword to gore the finely fibred human
frame," and what follows, pleased me mightily. In the second book, the
first forty lines in particular are majestic and high-sounding. Indeed,
the whole vision of the Palace of Ambition and what follows are
supremely excellent. Your simi
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