g without Prejudice.
[Illustration: AT THE OXFORD AND CAMBRIDGE BOAT RACE. (_Reduction of
Large Drawing._)]
Sir William Russell and I were called upon at a banquet in the City to
respond to the toast of the Press. Sir William made one of his
characteristic, graceful little speeches, reminiscential and modest.
When I rose I was for a moment also reminiscential--but not modest. "My
Lord Mayor, Sheriffs, and Masters of this Worshipful Company,--I
appreciate the appropriateness in coupling my name with that of Sir
William Russell, for both of us have made a noise in the world at the
same time--Dr. Russell with his first war letters to the _Times_, and I
in my cradle, for I came into this troubled world while others in arms
were making a noise in the Crimea."
[Illustration: AS SPECIAL AT THE BALACLAVA CELEBRATION.]
Naturally for this reason I have always taken an interest in the doings
of that time; so it was quite _con amore_ that I acted as "special" at
the first Balaclava Celebration Banquet (1875), twenty years after
"Billy" Russell's first war letters and my first birthday.
The roll-call on the occasion was funny, seeing that it was that of the
"Light Brigade"--some were "light" and many were heavy--one I recollect
was about eighteen stone. The banquet was held in the Alexandra Palace,
Muswell Hill. The visitors, except the military--past or present--were
shamefully treated. We had to stand all the time behind the chairs and
wearily watch a scene not altogether elevating to lookers-on. We were
not allowed a chair to sit on, nor any refreshment of any kind--not even
if we paid for it; and I well recollect how hungry I was when I returned
to my studio after a tedious journey at 1 in the morning, having had
nothing to eat since 1 of the previous day. Such Red Tape was, I
suppose, to illustrate the disgraceful arrangements of the commissariat
in the Crimea! I was standing close to Miss Thompson (Lady Butler), who
had just become famous by her picture "The Roll Call." She was making
notes, and possibly intended painting a sequel to her celebrated
picture. She was exhausted and tired, and no doubt too disgusted by such
ungallant conduct on the part of the organisers of the banquet to touch
the subject. Had she painted this particular roll-call I fear many of
the figures would have had to be drawn out of the perpendicular.
Twenty years before one of the heroes was, possibly, a better and a
wiser man, and tackled
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