mental initial
letter generally used by the _Art Journal_, the following note was added
by the author:--"I beg the Editor's and reader's pardon for an
informality in the type; but I shrink from ornamental letters, and have
begged for a legible capital instead."--ED.
[65] I need not say that this inquiry can only be pursued by the help of
those who will take it up good-humoredly and graciously: such help I
will receive in the spirit in which it is given; entering into no
controversy, but questioning further where there is doubt: gathering all
I can into focus, and passing silently by what seems at last
irreconcilable.
[66] This essay, Chapter II. in the _Art Journal_, is here omitted as
having been already reprinted with only a few verbal alterations in _The
Queen of the Air_, Sec.Sec. 135 to 142 inclusive, which see. The _Art
Journal_, however, contained a final paragraph, introductory of Chapter
III., which is omitted in _The Queen of the Air_, and was as
follows:--"To the discernment of this law" (_i.e._, that to which the
arts are subject, see _Queen of the Air_, Sec. 142) "we will now address
ourselves slowly, beginning with the consideration of little things, and
of easily definable virtues. And since Patience is the pioneer of all
the others, I shall endeavor in the next paper to show how that modest
virtue has been either held of no account, or else set to vilest work in
our modern Art-schools; and what harm has resulted from such disdain, or
such employment of her."--ED.
+----------------------------------------+
|Transcriber's note: |
| |
|Chapter II is missing from the original.|
+----------------------------------------+
CHAPTER III.[67]
"Dame Pacience sitting there I fonde,
With face pale, upon an hill of sonde."
46. As I try to summon this vision of Chaucer's into definiteness, and
as it fades before me, and reappears, like the image of Piccarda in the
moon, there mingles with it another;--the image of an Italian child,
lying, she also, upon a hill of sand, by Eridanus' side; a vision which
has never quite left me since I saw it. A girl of ten or twelve, it
might be; one of the children to whom there has never been any other
lesson taught than that of patience:--patience of famine and thirst;
patience of heat and cold; patience of fierce word and sullen blow;
patience of changeless fate and giftless time. She was lying w
|