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ll words; and their talk, even honestly uttered, might not have been worth much; it will not be thought of ten years hence; still less a hundred years hence. No one will buy our parliamentary speeches to keep in portfolios this time next century; and if people are weak enough now to pay for any special and flattering cadence of syllable, it is little matter. But _you_, with your painfully acquired power, your unwearied patience, your admirable and manifold gifts, your eloquence in black and white, which people will buy, if it is good (and has a broad margin), for fifty guineas a copy--in the year 2000; to sell it all, as Ananias his land, "yea, for so much," and hold yourselves at every fool's beck, with your ready points, polished and sharp, hasting to scratch what _he_ wills! To bite permanent mischief in with acid; to spread an inked infection of evil all your days, and pass away at last from a life of the skillfulest industry--having done whatsoever your hand found (remuneratively) to do, with your might, and a great might, but with cause to thank God only for this--that the end of it all has at last come, and that "there is no device nor work in the Grave." One would get quit of _this_ servitude, I think, though we reached the place of Rest a little sooner, and reached it fasting. 73. My English fellow-workmen, you have the name of liberty often on your lips; get the fact of it oftener into your business! talk of it less, and try to understand it better. You have given students many copy-books of free-hand outlines--give them a few of free _heart_ outlines. It appears, however, that you do not intend to help me with any utterance respecting these same outlines.[70] Be it so: I must make out what I can by myself. And under the influence of the Solstitial sign of June I will go backwards, or askance, to the practical part of the business, where I left it three months ago, and take up that question first, touching Liberty, and the relation of the loose swift line to the resolute slow one and of the etched line to the engraved one. It is a worthy question, for the open field afforded by illustrated works is tempting even to our best painters, and many an earnest hour and active fancy spend and speak themselves in the black line, vigorously enough, and dramatically, at all events: if wisely, may be considered. The French also are throwing great passion into their _eaux fortes_--working with a vivid haste and dark, br
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