FREE BOOKS

Author's List




PREV.   NEXT  
|<   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260  
261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   >>   >|  
nd most precious work, so as to enable ourselves to compete with foreign countries, or develop new branches of commerce in our own. Many of us, perhaps, are under the impression that plenty of schooling will do this; that plenty of lecturing will do it; that sending abroad for patterns will do it; or that patience, time, and money, and good will may do it. And, alas, none of these things, nor all of them put together, will do it. If you want really good work, such as will be acknowledged by all the world, there is but one way of getting it, and that is a difficult one. You may offer any premium you choose for it--but you will find it can't be done for premiums. You may send for patterns to the antipodes--but you will find it can't be done upon patterns. You may lecture on the principles of Art to every school in the kingdom--and you will find it can't be done upon principles. You may wait patiently for the progress of the age--and you will find your Art is unprogressive. Or you may set yourselves impatiently to urge it by the inventions of the age--and you will find your chariot of Art entirely immovable either by screw or paddle. There's no way of getting good Art, I repeat, but one--at once the simplest and most difficult--namely, to enjoy it. Examine the history of nations, and you will find this great fact clear and unmistakable on the front of it--that good Art has only been produced by nations who rejoiced in it; fed themselves with it, as if it were bread; basked in it, as if it were sunshine; shouted at the sight of it; danced with the delight of it; quarreled for it; fought for it; starved for it; did, in fact, precisely the opposite with it of what we want to do with it--they made it to keep, and we to sell. 9. And truly this is a serious difficulty for us as a commercial nation. The very primary motive with which we set about the business, makes the business impossible. The first and absolute condition of the thing's ever becoming salable is, that we shall make it without wanting to sell it; nay, rather with a determination not to sell it at any price, if once we get hold of it. Try to make your Art popular, cheap--a fair article for your foreign market; and the foreign market will always show something better. But make it only to please yourselves, and even be resolved that you won't let anybody else have any; and forthwith you will find everybody else wants it. And observe, the insuperable difficulty is
PREV.   NEXT  
|<   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260  
261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   >>   >|  



Top keywords:

patterns

 

foreign

 

difficult

 

difficulty

 

principles

 

plenty

 
market
 
business
 

nations

 

primary


nation

 

opposite

 

danced

 

delight

 

quarreled

 

shouted

 

sunshine

 

basked

 

fought

 
starved

precisely

 

motive

 

commercial

 

article

 

resolved

 

observe

 

insuperable

 

forthwith

 
popular
 

condition


rejoiced

 

absolute

 

impossible

 

salable

 

determination

 
wanting
 

chariot

 

things

 

sending

 

abroad


patience

 
acknowledged
 

lecturing

 

schooling

 

compete

 

countries

 
develop
 

enable

 

precious

 
branches