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he bodice of her gown, tossing the ivory figure contemptuously amid the fur. "Ah!" repeated the yellow man in a different tone, and his eyes gleamed with the flame of fanaticism. He slowly uprose, a sinister figure, and with distended fingers prepared to seize Madame by the throat. His eyes were bloodshot, his nostrils were dilated, and his teeth were exposed like the fangs of a wolf. But she pulled off her glove and stretched out her bare white hand to him as a queen to a subject; she raised the long curved lashes, and the great amber eyes looked into the angry bloodshot eyes. The little yellow man began to breathe more and more rapidly; soon he was panting like one in a fight to the death who is all but conquered. At last he dropped on his knees amid the fur... and the curling lashes were lowered again over the blazing amber eyes that had conquered. Madame de Medici lowered her beautiful white hand, and the little yellow man seized it in both his own and showered rapturous kisses upon it. Madame smiled slightly. "Poor little yellow man!" she murmured in sibilant Chinese, "you shall never return to the Temple of Heaven!" End of the Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer *** END OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN *** ***** This file should be named 5697.txt or 5697.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/6/9/5697/ Produced by Alan Johns Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do pr
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