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use, and final cause, all melt into the single conception of form. In the first place, the formal cause and the final cause are the same. For the formal cause is the essence, the concept, the Idea, of the thing. Now the final cause, or the end, is simply the realisation of the Idea of the thing in actuality. What the thing aims at is the definite expression of its form. It thus aims at its form. Its end, final cause, is thus the same as its formal cause. Secondly, the efficient cause is the same as the final cause. For the efficient cause is the cause of becoming. The final cause is the end of {274} the becoming, it is what it becomes. And, in Aristotle's opinion, what causes the becoming is just that it aims at the end. The striving of all things is towards the end, and exists because of the end. The end is thus itself the cause of becoming or motion. That is to say, the final cause is the real efficient cause. We may see this better by an example. The end or final cause of the acorn is the oak. And it is the oak which is the cause of the acorn's growth, which consists essentially in a movement by which the acorn is drawn towards its end, the oak. We may see this even more definitely in the case of human productions, because here the striving towards an end is conscious, whereas in nature it is unconscious or instinctive. The efficient cause of the statue is the sculptor. It is he that moves the brass. But what moves the sculptor, and causes him to act upon the brass, is the idea of the completed statue in his mind. The idea of the end, the final cause, is thus the real ultimate cause of the movement. Only, in the case of human production, the idea of the end is actually present in the sculptor's mind as a motive. In nature there is no mind in which the end is conscious of itself, but nevertheless nature moves towards the end, and the end is the cause of the movement. Thus the three causes named all melt into a single notion, which Aristotle calls the form of the thing. And this leaves only the material cause unreduced to any other. So we are left with the single antithesis of matter and form. Now as matter and form are the fundamental categories of Aristotle's philosophy, by means of which he seeks to explain the entire universe, it is essential that we should thoroughly understand their characteristics. {275} First of all, matter and form are inseparable. We think of them as separate in order to understand them cle
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