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to inform him in what country he may be. He finds that the surrounding district is a desert as far as the eye can reach, without house, tree, herbage, or living creature, till gazing upwards he beholds an eagle aloft in the sky. It was of gold, and shone so bright That never saw men such a sight, But if the heaven had ywon All new of God another sun. The book concludes with the announcement that the gorgeous eagle began somewhat to descend, and this is followed in the second book by the bird catching sight of Chaucer, and stooping upon him with the rapidity of lightning. In an instant it catches him up in its claws, and "as lightly as if he was a lark" soars with him into the clouds. He swoons with fright, and is restored to consciousness by the eagle calling him by name, and rebuking him for his fears. Having calmed him, the bird informs him why he has been sent to fetch him, and bear him aloft into the skies. Chaucer more than once confesses that he was not framed to win affection. He says he did "not dare to love for his unlikeliness," and that he might "go in the dance" with those whom it had not been Cupid's pleasure to prosper. Yet his quick and glowing sympathies had led him to employ his genius in celebrating a blessing of which he had tasted so sparingly, and he is now told that his disinterested service to Venus and Cupid, in devoting the hours of night to composing poems on the histories of lovers till his head aches, has attracted the notice of Jupiter, who intends to reward him by admitting him to a view of the palace of Fame. The eagle continues rising upwards with his burthen, and expounds to Chaucer as they go the situation of the building, and the means by which everything said and done on earth is known in the distant sanctuary of the goddess. Arrived there, the winged messenger of Jupiter sets the poet down, and bidding him farewell, expresses a hope that the God of heaven will send him grace to learn some good from the scenes which are about to be unveiled to him. The third book contains the account of the House of Fame, and the House of Rumour, and despite the previous announcement of the extraordinary disclosures which await him, Chaucer has copied several of his leading ideas from Ovid and Virgil. In the House of Fame he witnesses the caprice with which the goddess dispenses reputation and disgrace; and in the House of Rumour he learns that nothing can exceed the lying and dec
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