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Memoire_, _Les Aveugles Juges des Conteurs_, _Aventure Indienne_, and _Voyage de la Raison_. [361] It is only fair to mention in this place, and in justice to a much abused institution, that this Babylonian story is said to be the only thing of its kind and its author that escaped the Roman censorship. If this is true, the unfeathered _perroquets_ were not so spiteful as the feathered ones too often are. Or perhaps each chuckled at the satire on his brethren. [362] As with other controverted points, not strictly relevant, it is permissible for us to neglect protests about _la legende des philosophes_ and the like. Of course Rousseau was not only, at one time or another, the personal enemy of Voltaire and Diderot--he was, at one time or another, the personal enemy of everybody, including (not at any one but at all times) himself--but held principles very different from theirs. Yet their names will always be found together: and for our object the junction is real. [363] Not the Abbe, who had been dead for some years, but a Genevese professor who saw a good deal of Jean-Jacques in his later days. [364] "For short" _La Nouvelle Heloise_ has been usually adopted. I prefer _Julie_ as actually the first title, and for other reasons with which it is unnecessary to trouble the reader. [365] She dies after slipping into the lake in a successful attempt to rescue one of her children; but neither is drowned, and she does not succumb rapidly enough for "shock" to account for it, or slowly enough for any other intelligible malady to hold its course. [366] There is another curious anticipation of Dickens here: for Julie, as Dora does with Agnes, entreats Claire to "fill her vacant place"--though, by the way, not with her husband. And a third parallel, between Saint-Preux and Bradley Headstone, need not be quite farcical. [367] You _may_ tear out Introductions, if you do it neatly; and this I say, having written many. [368] Also Rousseau, without meaning it, has made him by no means a fool. When, on learning from his wife and daughter that Saint-Preux had been officiating as "coach," he asked if this genius was a gentleman, and on hearing that he was not, replied, "What have you paid him, then?" it was not, as the novelist and his hero took it, in their vanity, to be, mere insolence of caste. M. d'Etange knew perfectly well that though he could not trust a French gentleman with his wife, there was not nearly so much
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