t
for Marduk to reestablish order, and in return, he retains control of
the precious tablets. That the conception of Marduk as a solar deity
constitutes a factor in the myth is not, of course, to be denied,
precisely as in the Tiamat myth, the solar character of Marduk plays an
important part. The sun triumphs over the storms. Rain and wind are
obliged at last to yield their authority to the former. But for the
theologians of Babylon, the position of Marduk as the head of the
pantheon was a much more important factor. The myth served to show how
Marduk came to supplant the role of the old Bel of Nippur.
Viewed in this light, the Zu myth appears in more senses than one as a
pendant to the Marduk-Tiamat episode. Not only do both symbolize the
same natural phenomenon, but in both, Bel of Nippur was originally the
central figure of the pantheon, and in both Marduk replaces Bel. The Zu
myth is made to account in a somewhat more respectful, conciliatory
manner for the position of Marduk as the head of the pantheon. Instead
of setting aside En-lil altogether, as was done by the compilers of the
Tiamat myth, Marduk conquers for himself the supremacy that his
followers claimed for him. The contradictions between the two myths need
not disturb us. As variant versions of a tale intended to account for
one and the same fact,--the supremacy of Marduk,--they may well have
arisen even in the same place. Such inconsistencies as the assumption,
in the Zu version of the nature myth, that En-lil is the original
establisher of order in the world, as against the Tiamat version where
Marduk snatches the tablets of fate directly from Kingu, are inevitable
when stories that arose among the people are taken in hand by
theologians and modified and adapted to serve doctrines developed under
scholastic influences.
The Adapa Legend.
The myths and legends that we have so far considered--including the
creation and Gilgamesh epics--will have illustrated two important
points: firstly, the manner in which historical occurrences were clothed
in mythical form and interwoven with purely legendary tales, and,
secondly, the way in which nature myths were treated to teach certain
doctrines. The story of Gilgamesh is an illustration of the hopelessness
of a mortal's attempt to secure the kind of immortal life which is the
prerogative of the gods. Popular tales, illustrative of the climatic
conditions of Babylonia, serve as a means of unfolding a doctri
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