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s speaking to Francesca in the vestibule. She came out and called to me to come up. 'I felt my knees giving way beneath me at each step. He held out his hand to me and he must have noticed the trembling of mine, for I saw a sudden gleam flash into his eyes. We all three sat down on low cane lounges in the vestibule, facing the sea. He complained of feeling very tired, and smoked while he told us of his ride. He had gone as far as Vicomile, where he had made a halt. 'Vicomile, he said, possesses three wonderful treasures--a pine wood, a tower, and a fifteenth-century monstrance. Imagine a pine wood, between the sea and the hill, interspersed by a number of pools that multiply the trees indefinitely; a campanile in the old rugged Lombardy style that goes back to the eleventh century--a tree-trunk of stone, as it were, covered with sculptured sirens and peacocks, serpents and griffins and dragons--a thousand and one monsters and flowers; and a silver-gilt monstrance all enamelled, engraved and chased--Gothico-Byzantine in style and form with a foretaste of Renaissance, the work of Gallucci, an almost unknown artist, but who was the great forerunner of Benvenuto Cellini---- 'He addressed himself all the time to me. Strange how exactly I remember every word he says! I could set down any conversation of his, word for word, from beginning to end; if there were any means of doing so, I could reproduce every modulation of his voice. 'He showed us two or three little sketches he had made, and then began again describing the wonders of Vicomile with that warmth with which he always speaks of beautiful things and that enthusiasm for art which is one of his most potent attractions. '"I promised the Canonico to come back to-morrow. We will all go, will we not, Francesca? Donna Maria ought to see Vicomile!" 'Oh, my name on his lips! If it were possible, I could reproduce the very movements of his lips in uttering each syllable of those two words--Donna Maria----But what I never could express is my own emotion on hearing it; could never explain the unknown, undreamed-of sensation awakened in me by the presence of this man. 'We sat there till dinner-time. Contrary to her usual habit, Francesca seemed a little pensive and out of spirits. There were moments when heavy silence fell upon us. But between him and me there then occurred one of those _silent colloquies_ in which the soul exhales the Ineffable and hears the murmur
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