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is so much to do--so many calls to return--such tiring days! I hardly know where to turn. How warm it is in here! What a delicious smell!' She was standing in the middle of the room--a little undecided and ill at ease in spite of her rapid and lightly spoken words. A velvet coat with Empire sleeves, very full at the shoulders and buttoned closely at the wrists and with an immense collar of blue fox for sole trimming, covered her from head to foot, but without disguising the grace of her figure. She looked at Andrea with eyes in which a curious tremulous smile softened the flash and sparkle. 'You have changed somehow,' she said; 'I don't quite know what it is--but round your mouth, for instance, there are bitter lines that used not to be there.' She spoke in a tone of affectionate familiarity. The sound of her voice once more in this room caused him such exquisite delight that he exclaimed--'Speak again, Elena--go on speaking!' She laughed. 'Why?' she asked. 'You know why,' he answered, taking her hand again. She drew her hand away and looked the young man deep in the eyes. 'I know nothing any more.' 'Then you have changed very much.' 'Yes--very much indeed.' They had both dropped their bantering tone. Elena's answer threw a sudden search-light upon much that was problematical before. Andrea understood, and with that rapid and precise intuition so often found in minds practised in psychological analysis, he instantly divined the moral attitude of his visitor, and foresaw the further development of the coming scene. Moreover, he was already under the spell of this woman's fascination as in the former days, besides being greatly piqued by curiosity. 'Will you not sit down?' he asked. 'Yes--for a moment.' 'Here--in this arm-chair.' 'Ah--_my_ arm-chair!' she was on the point of exclaiming, for she recognised an old friend, but she stopped herself in time. The chair was deep and roomy, and covered with antique leather on which pale dragons ramped in relief, after the style of the wall decorations of one of the rooms in the Chigi palace. The leather had taken on that warm and sumptuous tone which recalls the background of certain Venetian portraits, or a fine bronze still retaining traces of former gilding, or a piece of tortoise-shell with gleams of gold here and there. A great cushion covered with a piece of a dalmatic of faded colouring--of that peculiar shade which the Florentine silk merc
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