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ns, the contrition, the prayers, the penances of four months had been wiped out, made utterly unavailing in one second of time, and she sank down more weary and vanquished than ever, without the will or the power to fight against the foes that beset her in her own heart, against the feelings that were upheaving her whole moral foundations. And while she gave way to the anguish and despair of a conscience which feels all its courage oozing from it, she still had the feeling that something of _him_ lingered in the shadows of the room and enveloped her with all the sweetness of a passionate caress. CHAPTER II The next day, she arrived at the Palazzo dei Sabini, her heart beating fast under a bunch of violets. Andrea was looking out for her at the door of the concert-hall. 'Thanks,' he said, and pressed her hand. He conducted her to a seat and sat down beside her. 'I thought the anxiety of waiting for you would have killed me,' he murmured. 'I was so afraid you would not come. How grateful I am to you! Late last night,' he went on, 'I passed your house. There was a light in one window--the third looking towards the Quirinal--I would have given much to know if you were up there. Who gave you those violets?' he asked abruptly. 'Delfina,' she answered. 'Did Delfina tell you of our meeting this morning in the Piazza di Spagna?' 'Yes--all.' The concert began with a Quartett by Mendelssohn. The hall was already nearly full, the audience consisting, for the most part, of foreign ladies--fair-haired women very quietly and simply dressed, grave of attitude, religiously silent, as in some sacred spot. The wave of music passing over these motionless heads spread out into the golden light, a light that filtered from above through faded yellow curtains and was reflected from the bare white walls. It was the old hall of the Philharmonic concerts. The whiteness of the walls was unbroken by any ornament, with only here and there a trace of former frescoes and its meagre blue portieres threatening to come down at any moment. It had all the air of a place that had been closed for a century and opened again that day for the first time. But just this faded look of age, the air of poverty, the nakedness of the walls lent a curious additional flavour to the exquisite enjoyment of the audience, making their delight seem more absorbing, loftier, purer by contrast. It was the 2nd of February; at Montecitorio the Parli
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