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197, 205, 224, 225, 226, 238, 240 Northwest Coast Indians, illustrations of ornamentation by 213, 218, 227, 230 Penn wampum belt 233 Peruvians, ancient, illustrations of ornamentation by 211, 212, 214, 228, 230, 231, 235, 236, 237, 242, 243, 248 Pima Indians, illustrations of ornamentation by 220 Piute Indians, illustrations of ornamentation by 198, 205 Polynesian ornamentation, illustrations of 249, 250 Seminole Indians, illustrations of ornamentation by 207 Textile art in its relation to the development of form and ornament, paper by W. H. Holmes on 189-252 Tule River Indians, illustrations of ornamentation by 219 Tusayan ornament, illustrations of 247, 248 Wiener, cited 242 Yokut Indians, illustrations of ornamentation by 233, 234 Zuni, illustrations of ornamentation by 239 * * * * * End of the Project Gutenberg EBook of A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament, by William H. Holmes *** END OF THIS PROJECT GUTENBERG EBOOK A STUDY OF THE TEXTILE ART *** ***** This file should be named 17730.txt or 17730.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/7/3/17730/ Produced by PM for Bureau of American Ethnology, Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed
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