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known step in Egyptian art, is encircled by a band of painted figures, borrowed, like those of the pottery, from a textile source. The doorway or rather entrance to the rude hovel of a Navajo Indian is closed by a blanket of native make, unsurpassed in execution and exhibiting conventional designs of a high order. [Illustration: FIG. 357. Portion of a tapa stamp, showing its subtextile character. A palm leaf is cut to the desired shape and the patterns are sewed in or stitched on.] [Illustration: FIG. 358. Design in stucco, exhibiting textile characters.] The ancient "hall of the arabesques" at Chimu, Peru, is decorated in elaborate designs that could only have arisen in the textile art (Fig. 358), and other equally striking examples are to be found in other American countries. The classic surface decorations known and used in Oriental countries from time immemorial prevailed in indigenous American architecture at a stage of culture lower than any known stage of classic art. It may appear that I have advocated too strongly the claims of the textile art to the parentage of geometric ornament and that the conclusions reached are not entirely satisfactory, but I have endeavored so to present the varied phenomena of the art that the student may readily reach deductions of his own. A correspondingly careful study of other branches of art will probably enable us finally to form a just estimate of the relative importance of the forces and tendencies concerned in the evolution of decoration. * * * * * INDEX Alaskan Indians, illustration of ornamentation by 199 Ancon, Peru, examples of ornamentation from graves at 212, 230, 231, 236, 243, 248 Apache, illustrations of ornamentation by 198, 213, 223 British Guiana Indians, illustrations of ornamentation by 217 Chimu, Peru, ornamentation of "hall of arabesques" at 251, 252 Clallam Indians, illustrations of ornamentation by 207 Color in textile art 201, 202 Color phenomena in textile ornament 215-232 Form in textile art and its relation to ornament, with illustrations from Indian work 196-201 Geometric design, relations of, to textile ornament 202-244 Holmes, W. H. paper by, on textile art in its relation to the development of form and ornament 189-252 Klamath Indians, illustrations of ornamentation by 208, 209, 227 McCloud River Indians, illustrations of ornamentation by 221 Moki, illustrations of ornamentation by
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