FREE BOOKS

Author's List




PREV.   NEXT  
|<   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246  
247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   >>   >|  
X. represents, in one view, the cornices or string-courses of Venice, and the abaci of its capitals, early and late; these two features being inseparably connected, as explained in Vol. I. The evidence given by these mouldings is exceedingly clear. The two upper lines in the Plate, 1-11, 12-24, are all plinths from Byzantine buildings. The reader will at once observe their unmistakable resemblances. The row 41 to 50 are contemporary abaci of capitals; 52, 53, 54, 56, are examples of late Gothic abaci; and observe, especially, these are all rounded at the _top_ of the cavetto, but the Byzantine abaci are rounded, if at all, at the _bottom_ of the cavetto (see 7, 8, 9, 10, 20, 28, 46). Consider what a valuable test of date this is, in any disputable building. Again, compare 28, 29, one from St. Mark's, the other from the Ducal Palace, and observe the close resemblance, giving farther evidence of early date in the palace. 25 and 50 are drawn to the same scale. The former is the wall-cornice, the latter the abacus of the great shafts, in the Casa Loredan; the one passing into the other, as seen in Fig. XXVIII. Vol. I. It is curious to watch the change in proportion, while the moulding, all but the lower roll, remains the same. [Illustration: Plate X. CORNICES AND ABACI.] The following are the references: 1. Common plinth of St. Mark's. 2. Plinth above lily capitals, St. Mark's. 3, 4. Plinths in early surface Gothic. 5. Plinth of door in Campo St. Luca. 6. Plinth of treasury door, St. Mark's. 7. Archivolts of nave, St. Mark's. 8. Archivolts of treasury door, St. Mark's. 9. Moulding of circular window in St. John and Paul. 10. Chief decorated narrow plinth, St. Mark's. 11. Plinth of door, Campo St. Margherita. 12. Plinth of tomb of Doge Vital Falier. 13. Lower plinth, Fondaco de' Turchi, and Terraced House. 14. Running plinth of Corte del Remer. 15. Highest plinth at top of Fondaco de' Turchi. 16. Common Byzantine plinth. 17. Running plinth of Casa Falier. 18. Plinth of arch at Ponte St. Toma. 19, 20, 21. Plinths of tomb of Doge Vital Falier. 22. Plinth of window in Calle del Pistor. 23. Plinth of tomb of Dogaressa Vital Michele. 24. Archivolt in the Frari.
PREV.   NEXT  
|<   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246  
247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   >>   >|  



Top keywords:

Plinth

 

plinth

 

Falier

 

observe

 

capitals

 

Byzantine

 
cavetto
 
rounded
 

Gothic

 

Turchi


treasury

 

Archivolts

 

window

 

Fondaco

 

Plinths

 

Running

 

Common

 

evidence

 

inseparably

 
circular

Moulding

 

features

 

connected

 

CORNICES

 

Illustration

 

remains

 

references

 

explained

 
decorated
 

surface


Venice

 

Michele

 

Archivolt

 

Dogaressa

 

Pistor

 
Highest
 

string

 

courses

 

Margherita

 

cornices


represents

 
Terraced
 

narrow

 

Consider

 

valuable

 

disputable

 
building
 

exceedingly

 

bottom

 
contemporary