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expedite the sacrifice, and then despatched herself with a poniard. Virgil, wishing to deduce the hatred of the Romans and Carthaginians from the very time of AEneas, invented the story of the visit of AEneas to Dido; though he was perhaps guilty of a great anachronism in so doing, as the taking of Troy most probably preceded the foundation of Carthage by at least two centuries. Ovid has also related her story at length in the third book of the Fasti, and has followed Virgil's account of the treacherous conduct of AEneas, while he represents Iarbas as capturing her city after her death, and driving her sister Anna into exile. In the Phoenician language the word 'Dido' signified 'the bold woman,' and it is probable that Elisa only received that name after her death. Bochart has taken considerable pains to prove that she was the aunt of Jezebel, the famous, or rather infamous, wife of King Ahab. The Poet then proceeds to say that AEneas saw the islands of the Cercopians on his way, whom Jupiter had transformed into apes. AEschines and Suidas say that there were two notorious robbers, inhabitants of an island adjacent to Sicily, named Candulus and Atlas, who committed outrages on all who approached the island. Being about to insult Jupiter himself, he transformed them into apes, from which circumstance the island received its name of Pithecusa. Sabinus says that they were called Cercopes, because in their treachery they were like monkeys, who fawn with their tails, when they design nothing but mischief. Zenobius places the Cercopes in Libya; and says that they were changed into rocks, for having offered to fight with Hercules. FABLE III. [XIV.101-153] Apollo is enamoured of the Sibyl, and, to engage her affection, offers her as many years as she can grasp grains of sand. She forgets to ask that she may always continue in the bloom of youth, and consequently becomes gray and decrepit. After he has passed by these, and has left the walls of Parthenope[11] on the right hand, on the left side he {approaches} the tomb of the tuneful son of AEolus[12]; and he enters the shores of Cumae, regions abounding in the sedge of the swamp, and the cavern of the long-lived Sibyl[13], and entreats {her}, that through Avernus, he may visit the shade of his father. But she raises her countenance, a long time fixed on the ground; and at length, inspired by the influence of th
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