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The Project Gutenberg EBook of Western Characters, by J. L. McConnel This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Western Characters or Types of Border Life in the Western States Author: J. L. McConnel Illustrator: Darley Release Date: October 23, 2007 [EBook #23155] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK WESTERN CHARACTERS *** Produced by Julia Miller, Marcia Brooks and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: THE PEDDLER.] [Illustration: WESTERN CHARACTERS Redfield.] WESTERN CHARACTERS OR TYPES OF BORDER LIFE IN THE WESTERN STATES BY J. L. McCONNEL AUTHOR OF "TALBOT AND VERNON,"--"THE GLENNS," ETC. WITH ILLUSTRATIONS BY DARLEY [Illustration] REDFIELD, 110 AND 112 NASSAU STREET, NEW YORK. 1853. Entered, according to Act of Congress, in the year 1853, BY J. S. REDFIELD, in the Clerk's Office of the District Court of the United States, in and for the Southern District of New York. STEREOTYPED BY C. C. SAVAGE, 13 Chambers Street, N. Y. PREFATORY NOTE. Attempts to delineate local character are always liable to misconstruction; for, the more truthful the sketch, the greater is the number of persons, to whom resemblance may be discovered; and thus, while in fact only describing the characteristics of a class, authors are frequently subjected, very unjustly, to the imputation of having invaded the privacy of individuals. Particularly is this so, when the class is idealized, and an imaginary type is taken, as the representative of the species. I deem it proper, therefore, to say in advance, that no attempt has been made in the following pages, to portray any individual; and that--although I hope I have not been so unsuccessful, as to paint pictures which have no originals--if there be a portrait in any sketch, it consists, not in the likeness of the picture to the person, but of both to the type. As originally projected, the book would have borne this explanation upon its face; but the circumstances which hav
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