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man and her children; and, with three strokes to each, the scalps of the victims being suddenly taken off, the brave flew back with his companions, to hang the trophies in his cabin."[35] If they succeeded in taking prisoners, it was only that they might be reserved for the most infernal torments, and the gratification of a brutal ferocity, not the trial and admiration of the victim's courage, was the purpose of their infliction.[36] The fortitude of the Indian under suffering, has often been referred to, in evidence of moral courage. And it is certainly true, that the display so frequently made of triumph in the hour of death by torture, indicates,[37] in part, an elevation of character, seldom found among more civilized men. It is, however, the elevation of a barbarian; and its manifestations are as much the fruit of impotent rage, as of a noble fortitude. The prisoner at the stake knows that there is no escape; and his intense hatred of his enemies takes the form of a wish, to deprive them of a triumph. While his flesh is crisping and crackling in the flames, therefore, he sings of the scalps he has taken, and heaps opprobrious epithets upon the heads of his tormentors. But his song is as much a cry of agony, as of exultation--his pain only adopts this mode of expression. It is quite certain, also, that he does not suffer so deeply, as would a white man in the same circumstances. By long exposure, and the endurance of hardships incident to his savage life, his body acquires an insensibility akin to that of wild animals.[38] His nerves do not shrink or betray a tendency to spasm, even when a limb is amputated. Transmitted from one generation to another, this physical nature has become a peculiarity of the race. And when assisted by the fierce hatred above referred to, it is not at all strange that it should enable him to bear with fortitude, tortures which would conquer the firmness of the most resolute white man.[39] The Indian's dignified stoicism has been as much exaggerated, as his courage and fortitude. It is not quite true that he never expresses surprise, or becomes loquacious. But he has a certain stern impassibility of feature--a coldness of manner--which have been mistaken for dignity. His immobility of countenance, however, may be the effect of sluggish sensibilities, or even of dull perceptions;[40] and the same savage vanity, which leads him to make a display of strength or agility before friend or e
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