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sition is, practically, that he has little to do with man. Being already created, man takes more interest in the gods that preserve and destroy.[81] Even Brahm[=a]'s old exploits are, as we have shown, stolen from him and given over to Vishnu. The famous (totemistic) tortoise legend was originally Brahm[=a]'s, and so with others of the ten 'forms' of Vishnu, for instance the boar-shape, in which Vishnu manifests himself, and the fish-shape of Brahm[=a] (epic) in the flood-story. The formal _trim[=u]rti_ or _tr[=a]ipurusha_ ('three persons') is a late figure. It would seem that a Harihara (Vishnu and Civa as one) preceded the trinity, though the dual name is not found till quite late.[82] But, as we showed above, the epic practically identifies Vishnu and Civa as equals, before it unites with these Brahm[=a] as an equal third. There arises now the further question whether sectarian Vishnuism be the foisting of Krishnaism upon a dummy Vishnu. We think that, stated in this way, such scarcely can have been the case. Neither of the great sects is professedly of priestly origin, but each, like other sects, claims Vedic authority, and finds Brahmanical support. We have said that Vishnu is raised to his position without ictic suddenness. He is always a god of mystic character, in short, a god for philosophy to work upon. He is recognized as the highest god in one of the oldest Upanishads. And it is with the philosopher's Vishnu that Krishna is identified. Krishna, the real V[=a]sudeva (for a false V[=a]sudeva is known also in the epic), is the god of a local cult. How did he originate? The king of serpents is called Krishna, 'the black,' and Vishnu reposes upon Cesha Ananta, the world-snake; but a more historical character than this can be claimed for Krishna. This god-man must be the same with the character mentioned in the Ch[=a]ndogya Upanishad, 3. 17. 6. One may notice the similarities between this Krishna and him of the epic cult. Krishna, son of Devak[=i], was taught by his teacher, Ghora [=A]ngirasa, that sacrifice may be performed without objective means; that generosity, kindness, and other moral traits are the real signs of sacrifice; and it is then said: "The priest Ghora [=A]ngirasa having said this to Krishna, the son of Devak[=i]--and the latter was thereby freed from (thirst) desire--said: "When a man is about to die let him resort to this triad: 'the imperishable art thou,' 'the unmoved art thou,' 'breath's f
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