FREE BOOKS

Author's List




PREV.   NEXT  
|<   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120  
121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   >>   >|  
to necessitate the hall, and there are ample gardens to make the peristyle superfluous. Here the walls of the house may break forth into large and open windows, while all around may run pillared verandahs. Built in any variety of shape, according to the situation and the fancy, it may contain an immense variety of sitting-rooms, dining-rooms, bedrooms, facing in every direction to catch the sun, the shade, the breeze, or the prospect, as the case may be. Not that magnificence is any more neglected than in the great English country seats. The pillars and pavements are as rich as means allow, and works of painting and statuary are perhaps even finer and more numerous than in town; there is more time to look at them, and there are better facilities for showing them off. Many of the best works of ancient sculpture now extant in the museums have come from such country seats. There were of course vulgar houses in bad taste, where the owner's notions of magnificence consisted in ostentatious extravagance and a desire to outdo his neighbour. As now, everything depended either on the culture of the man or on the amount of his good sense in leaving such matters to his artistic adviser. Outside the house lie the gardens and grounds. For the most part these are laid out in the formal style adopted so often in more modern Italy and favoured so greatly in England in the early eighteenth century. Perhaps the Villa d'Este at Tivoli, though of course not ancient, may convey some approximate idea of the prevailing principle. Along one side of the Roman house we should find a smooth terrace ornamented with statues and vases, to be used as a promenade. There are straight walks and avenues between hedges and trees and shrubs--cyprus, laurel, box, and other manageable plants--cut to the shape of beasts and birds and inanimate objects. There are flower-beds--of the rose, the crocus, the wallflower, the narcissus, the violet, but not, for example, the tulip--laid out in geometrical patterns. There are trellis-work arbours and walks covered with leafy vines or other trailing plants. There are clumps of bay-trees, plane trees, or myrtles, with marble seats beneath. There is either an avenue or a covered colonnade, where the ground is made of soft earth or sand, and where the family may take exercise by being carried in a litter up and down in the open or under the shade. There are greenhouses and forcing-houses, where flowers are grown under g
PREV.   NEXT  
|<   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120  
121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   >>   >|  



Top keywords:

covered

 

country

 

magnificence

 
gardens
 
houses
 

ancient

 

plants

 

variety

 
smooth
 

promenade


straight
 

terrace

 

statues

 

ornamented

 

avenues

 

Tivoli

 

convey

 

England

 
eighteenth
 

century


Perhaps

 

approximate

 

greatly

 

hedges

 

prevailing

 

principle

 

favoured

 

modern

 

ground

 

colonnade


avenue

 

myrtles

 
marble
 

beneath

 

family

 

forcing

 

greenhouses

 
flowers
 
exercise
 

carried


litter

 
clumps
 

trailing

 

objects

 
inanimate
 
flower
 

adopted

 

beasts

 

laurel

 

cyprus