the costly scenery and the splendid costumes,
but the King cried:

"No matter, no matter, I will have real rain! Turn
on the water!"

So the real rain was turned on and began to descend in
gossamer lances to the mimic flower-beds and gravel walks
of the stage. The richly dressed actresses and actors
tripped about singing bravely and pretending not to mind it.
The King was delighted--his enthusiasm grew higher.
He cried out:

"Bravo, bravo! More thunder! more lightning! turn
on more rain!"

The thunder boomed, the lightning glared, the storm-winds raged,
the deluge poured down. The mimic royalty on the stage,
with their soaked satins clinging to their bodies,
slopped about ankle-deep in water, warbling their sweetest
and best, the fiddlers under the eaves of the state sawed
away for dear life, with the cold overflow spouting down
the backs of their necks, and the dry and happy King sat
in his lofty box and wore his gloves to ribbons applauding.

"More yet!" cried the King; "more yet--let loose all
the thunder, turn on all the water! I will hang the man
that raises an umbrella!"

When this most tremendous and effective storm that had
ever been produced in any theater was at last over,
the King's approbation was measureless. He cried:

"Magnificent, magnificent! ENCORE! Do it again!"

But the manager succeeded in persuading him to recall
the encore, and said the company would feel sufficiently
rewarded and complimented in the mere fact that the
encore was desired by his Majesty, without fatiguing
him with a repetition to gratify their own vanity.

During the remainder of the act the lucky performers
were those whose parts required changes of dress;
the others were a soaked, bedraggled, and uncomfortable lot,
but in the last degree picturesque. The stage scenery
was ruined, trap-doors were so swollen that they wouldn't
work for a week afterward, the fine costumes were spoiled,
and no end of minor damages were done by that remarkable storm.

It was royal idea--that storm--and royally carried out.
But observe the moderation of the King; he did not
insist upon his encore. If he had been a gladsome,
unreflecting American opera-audience, he probably would
have had his storm repeated and repeated until he drowned
all those people.

CHAPTER XI
[I Paint a "Turner"]

The summer days passed pleasantly in Heidelberg.
We had a skilled trainer, and under his instructions we
were getting our legs in the