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hich the love of the beautiful has been suffered to depart, these hideous and ugly traits of character make haste to enter, and occupy the vacant space. What Shakspere says of a single art, music, is true of art and beauty in general: The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils: The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. THE VICE OF EXCESS. +The hollowness of ostentation.+--Man is never proud of what he really enjoys; never vain of what he truly loves; never anxious to show off the tastes and interests that are essentially his own. In order to take this false attitude toward an object, it is necessary to hold it apart from ourselves: a thing which the true lover can never do. He who loves beautiful things will indeed wish others to share his joy in them. But this sharing of our joy in beautiful objects, is a very different thing from showing off our fine things, simply to let other people know that we have them. Ostentation is the vice of ignorant wealth and vulgar luxury. It estimates objects by their expensiveness rather than by their beauty; it aims to awaken in ourselves pride rather than pleasure; and to arouse in others astonishment rather than admiration. THE PENALTY. +Vulgarity akin to laziness.+--Art, and the beauty which it creates, costs painstaking labor to produce. And to enjoy it when it is produced, requires at first thoughtful and discriminating attention. The formation of a correct taste is a growth, not a gift. Hence the dull, the lazy, and the indifferent never acquire this cultivated taste for the beautiful in art. This lack of perception, this incapacity for enjoyment of the beautiful, is vulgarity. Vulgarity is contentment with what is common, and to be had on easy terms. The root of it is laziness. The mark of it is stupidity. At great pains the race has worked out beautiful forms of speech, for communicating our ideas to each other. Vulgarity in speech is too lazy to observe these precise and beautiful forms of expression; it clips its words; throws its sentences together without regard to grammar; falls into slang; draws its figures from the coarse and low and sensual side of life, instead of from its pure and noble aspects. Vulgarity with reference to dress, dwellings, pictures, reading, is of th
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