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Val. "No. But I just remembered what this is--our clue!" "You mean the handkerchief we found in the hall? I wonder who--" Rod reached up and took it out of her hand. "Mine. Miss Charity gave me a dozen last Christmas." "Then you left it there," Ricky laughed. "Well, that solves the last of our mysteries." "All present or accounted for," Val agreed as around the house came Rupert and their tenant. "So there you are," began Ricky. "And I'd like to know what you've been doing all morning--" "Would you really?" asked Rupert. Ricky stared at him for a long moment and then she arose before transferring her gaze to Charity. It might have been sunburn or the heat Ricky had complained of which colored the cheeks of the Boston Biglow. "Rod! Val!" cried Ricky. "Where are your manners?" As she sank forward in a deep and graceful curtsy she added, "Can't you see that Rupert has brought home his Marchioness?" "Now that," said Val, as he held out his hand to the new mistress of Pirate's Haven, "is what I call 'Ralestone Luck.'" End of the Project Gutenberg EBook of Ralestone Luck, by Andre Norton *** END OF THIS PROJECT GUTENBERG EBOOK RALESTONE LUCK *** ***** This file should be named 18817.txt or 18817.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/8/1/18817/ Produced by Greg Weeks, Jason Isbell, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do pract
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