rule to be observed by the young student, never to list
himself in the parties and factions of the theatre:

----Neve plausor in scena
Sedeat redemptus, histrioniae addictus.

It is well known, that theatrical parties distracted the Roman
citizens, and rose almost to phrensy. They were distinguished by the
_green_ and the _blue_, Caligula, as we read in Suetonius, attached
himself to the former, and was so fond of the charioteers, who wore
green liveries, that he lived for a considerable time in the stables,
where their horses were kept. _Prasinae factioni ita addictus et
deditus, ut coenaret in stabulo assidue et maneret. Life of Caligula_,
s. 55. Montesquieu reckons such party-divisions among the causes that
wrought the downfall of the empire. Constantinople, he says, was split
into two factions, the _green_ and the _blue_, which owed their origin
to the inclination of the people to favour one set of charioteers in
the circus rather than another. These two parties raged in every city
throughout the empire, and their fury rose in proportion to the number
of inhabitants. Justinian favoured the _blues_, who became so elate
with pride, that they trampled on the laws. All ties of friendship,
all natural affection, and all relative duties, were extinguished.
Whole families were destroyed; and the empire was a scene of anarchy
and wild contention. He, who felt himself capable of the most
atrocious deeds, declared himself a BLUE, and the GREENS were
massacred with impunity. _Montesquieu, Grandeur et Decadence des
Romains_, chap. xx.

[d] Quintilian, in his tenth book, chap. 1. has given a full account
of the best Greek and Roman poets, orators, and historians; and in b.
ii. ch. 6, he draws up a regular scheme for the young student to
pursue in his course of reading. There are, he says, two rocks, on
which they may split. The first, by being led by some fond admirer of
antiquity to set too high a value on the manner of Cato and the
Gracchi; for, in that commerce, they will be in danger of growing dry,
harsh, and rugged. The strong conception of those men will be beyond
the reach of tender minds. Their style, indeed, may be copied; and the
youth may flatter himself, when he has contracted the rust of
antiquity, that he resembles the illustrious orators of a former age.
On the other hand, the florid decorations and false glitter of the
moderns may have a secret charm, the more dangerous, and seductive, as
the p