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r my back copies of the magazine I find that I have not disliked a single story. Thus endeth my quest for a brickbat. Are you going to put out a quarterly? Both the other Science Fiction magazines that I get do so, and I observe that it gives opportunity for a story of full novel length all in one piece. Not that I object to serials, but I like once in a while to sit down to a long story without having to dig out three or four magazines. However, please continue the long serials, for what is life without the element of suspense?--Hugh M. Gilmore, 920 N. Vista St., Hollywood, Cal. "The Readers' Corner" All Readers are extended a sincere and cordial invitation to "come over in 'The Readers' Corner'" and join in our monthly discussion of stories, authors, scientific principles and possibilities--everything that's of common interest in connection with our Astounding Stories. Although from time to time the Editor may make a comment or so, this is a department primarily for _Readers_, and we want you to make full use of it. Likes, dislikes, criticisms, explanations, roses, brickbats, suggestions--everything's welcome here; so "come over in 'The Readers' Corner'" and discuss it with all of us! _The Editor._ * * * * * Transcriber Notes Typographical and hyphenation inconsistencies have been standardized. Otherwise, archaic and variable spelling is preserved, including 'obsidion' and 'tyranosaur'. Passages in italics indicated by _underscores_. End of the Project Gutenberg EBook of Astounding Stories of Super-Science, December 1930, by Various *** END OF THIS PROJECT GUTENBERG EBOOK ASTOUNDING STORIES, DEC. 1930 *** ***** This file should be named 30691.txt or 30691.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/6/9/30691/ Produced by Greg Weeks, Katherine Ward, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gut
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