le of fainter tints and generalized signs. A filthy,
eruptive, realistic Bardolph and Pistol overlay the romantic with the
literal. Relegate them and blur them, to the eye; let their blotches be
constructive and their raggedness relative.

Amicia. Ah, it was _so_ ugly!

Dorriforth. What a pity then, after all, there wasn't more painted
canvas to divert you! Ah, decidedly, the theatre of the future must be
that.

Florentia. Please remember your theory that our life's a scramble, and
suffer me to go and dress for dinner.

1889.

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