ng in Frankland, which, like the Niderlant of the _Nibelungen Lied_,
means the low lands on the Rhine. The scene of the story is always
near that river: Sigurd was slain by the Rhine, and the treasure of
the Rhine is quoted as proverbial in the Voelund lay.
_Gripisspa_ (the Prophecy of Gripi), which follows, is appropriately
placed first of the Volsung poems, since it gives a summary of the
whole story. Sigurd rides to see his mother's brother, Gripi, the
wisest of men, to ask about his destiny, and the soothsayer prophesies
his adventures and early death. This poem makes clear some original
features of the legend which are obscured elsewhere, especially in the
Gudrun set; Grimhild's treachery, and Sigurd's unintentional breach
of faith to Brynhild. In the speeches of both Gripi and Sigurd, the
poet shows clearly that Brynhild had the first right to Sigurd's faith,
while the seer repeatedly protests his innocence in breaking it: "Thou
shalt never be blamed though thou didst betray the royal maid.... No
better man shall come on earth beneath the sun than thou, Sigurd." On
the other hand, the poet gives no indication that Brynhild and the
sleeping Valkyrie are the same, which is a sign of confusion. Like
all poems in this form, _Gripisspa_ is a late composition embodying
earlier tradition.
The other poems are mostly episodical, though arranged so as to form
a continued narrative. _Gripisspa_ is followed by a compilation from
two or more poems in different metres, generally divided into three
parts in the editions: _Reginsmal_ gives the early history of the
treasure and the dragon, and Sigurd's battle with Hunding's sons;
_Fafnismal_, the slaying of the dragon and the advice of the talking
birds; _Sigrdrifumal_, the awakening of the Valkyrie. Then follows
a fragment on the death of Sigurd. All the rest, except the poem
generally called the _Third_, or _Short, Sigurd Lay_ (which tells of
the marriage with Gudrun and Sigurd's wooing of Brynhild for Gunnar)
continue the story after Sigurd's death, taking up the death of
Brynhild, Gudrun's mourning, and the fates of the other heroes who
became connected with the legend of the treasure.
In addition to the poems in the Elder Edda, an account of the story
is given by Snorri in _Skaldskaparmal_, but it is founded almost
entirely on the surviving lays. _Voelsunga Saga_ is also a paraphrase,
but more valuable, since parts of it are founded on lost poems, and
it therefore, to s
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