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ersonages. _Farces_ were more exactly what their title indicates--obscene, gross, and dissolute representations, where both the actions and words are alike reprehensible. The _Sotties_ were more farcical than farce, and frequently had the licentiousness of pasquinades. I shall give an ingenious specimen of one of the MORALITIES. This Morality is entitled, "The Condemnation of Feasts, to the Praise of Diet and Sobriety for the Benefit of the Human Body." The perils of gormandising form the present subject. Towards the close is a trial between _Feasting_ and _Supper_. They are summoned before _Experience_, the Lord Chief Justice! _Feasting_ and _Supper_ are accused of having murdered four persons by force of gorging them. _Experience_ condemns _Feasting_ to the gallows; and his executioner is _Diet_. _Feasting_ asks for a father-confessor, and makes a public confession of so many crimes, such numerous convulsions, apoplexies, head-aches, and stomach-qualms, &c., which he has occasioned, that his executioner _Diet_ in a rage stops his mouth, puts the cord about his neck, and strangles him. _Supper_ is only condemned to load his hands with a certain quantity of lead, to hinder him from putting too many dishes on table: he is also bound over to remain at the distance of six hours' walking from _Dinner_ upon pain of death. _Supper_ felicitates himself on his escape, and swears to observe the mitigated sentence.[97] The MORALITIES were allegorical dramas, whose tediousness seems to have delighted a barbarous people not yet accustomed to perceive that what was obvious might be omitted to great advantage: like children, everything must be told in such an age; their own unexercised imagination cannot supply anything. Of the FARCES the licentiousness is extreme, but their pleasantry and their humour are not contemptible. The "Village Lawyer," which is never exhibited on our stage without producing the broadest mirth, originates among these ancient drolleries. The humorous incident of the shepherd, who having stolen his master's sheep, is advised by his lawyer only to reply to his judge by mimicking the bleating of a sheep, and when the lawyer in return claims his fee, pays him by no other coin, is discovered in these ancient farces. Brueys got up the ancient farce of the "_Patelin_" in 1702, and we borrowed it from him. They had another species of drama still broader than Farce, and more strongly featured by the grossne
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