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and Antonio was powerless to accomplish. On that self-same night there suddenly arose, in Strada Ripetta before Pasquale's house, such a terrible swearing, shouting, and quarrelling that all the neighbours started from their sleep, and the Sbirri (who had been after a murderer who took sanctuary in the Piazza di Spagna), supposing there was another murder going on, came hurrying up with their torches. When they, and a crowd of people attracted by the noise who came with them, arrived on the scene of the supposed murder, what was seen was poor little Pitichinaccio lying on the ground as if dead; Michele belabouring the Pyramid Doctor with a frightful cudgel, and the said Doctor in the act of falling down; whilst Signor Pasquale, picking himself up with difficulty, drew his sword, and began furiously lunging at Michele. All round lay fragments of shattered guitars. Several people stopped the old gentleman's arm, or he would infallibly have run Michele through the body. The latter (who, now that the torches had come, saw, for the first time, who it was that he had to do with), stood like a statue, with eyes staring out of his head. Presently He emitted a terrific yell, tore his hair, and implored forgiveness and mercy. Neither the Pyramid Doctor nor Pitichinaccio were seriously hurt, but they were so stiff, and so black and blue, that they could not move a muscle, and had to be carried home. Signor Pasquale had brought this trouble upon his own pate. We are aware that Salvator and Antonio had favoured Marianna with the most beautiful night-music imaginable, but I have forgotten to add that they went on repeating it on succeeding nights, tremendously infuriating Signor Pasquale; his anger was held in check by the neighbours, and he was silly enough to apply to the authorities to prevent the two painters from singing in Strada Ripetta. The authorities considered it an unheard of thing in Rome to forbid anybody singing whenever he chose, and said it was absurd to demand it. On this Signor Pasquale determined to put an end to the thing himself, and promised Michele a good sum of money if he would fall upon the singers and give them a good cudgelling on the first opportunity. Michele at once provided himself with a big stick, and kept watch every night behind the door. However, it happened that Salvator and Antonio thought it advisable to discontinue the night-music in Strada Ripetta on the nights immediately preceding the e
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