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stianity, which is the final chord towards which everything strives, in the whole work (which to me, at all events, according to the design of the second part, seems to belong to another world), I have never been able to form a conception of to myself in dramatic form; although in quite other sounds, and in those only, I did conceive the possibility of a conclusion which, in terrific sublimity, would surpass everything else which could be conceived of. But this only became apparent to me when I had read Calderon's great 'Magus.' Moreover, the poet has not uttered himself as to the mode in which he would finish the work; at least nothing of the sort has reached my ears." "It seems to me," said Vincent, "on the whole very much as though it had gone with the poet, as to his work, as it did with old King Waidewuthis and his graven images. It grew over his head; and that he could not get control of his own power is proved by the very failure of his inward energy, which, at length, does not allow anything sound, healthy, vigorous, to come to the light of day. On the whole, even if Cyprian is right in thinking that the old king had the best possible dispositions for turning out a splendid and powerful Satan, I do not see how he could have got into due relation with humanity again. The Satan would have had to be, at the same time, a grand, powerful kingly hero." "And that is exactly what he was," answered Cyprian. "But to prove this to you, I should require to know whole scenes by heart, which the author communicated to us. I remember one in particular, very vividly, which seemed to me magnificent. King Waidewuthis knew that none of his sons would succeed him in the crown, so he selected a boy--I think he appeared about twelve years old--as his successor. In the night they two--Waidewuthis and the boy--are lying by the fire, and Waidewuthis. occupies himself in kindling the boy's courage towards the idea of the godly-might of the Euler of a People. This address of Waidewuthis seemed to me quite masterly, quite perfect. The boy, who has a young tame wolf, his faithful playmate, in his arms, listens attentively to the old man's words; and when the latter at last asks him if, for the sake of power he would be capable of sacrificing even his wolf, the boy looks him gravely in the face, and without a word, throws the wolf into the flames." "I know," cried Theodore, as Vincent smiled strangely, and Lothair seemed on the point
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