FREE BOOKS

Author's List




PREV.   NEXT  
|<   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338  
339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354   355   356   357   358   359   360   361   362   363   >>   >|  
ghtful than to let themselves be wondered at and admired as chameleontic marvels, in that they change their costume and appearance in the most varied manner in the course of the same evening. Right out of the very depths of my being have I been compelled to roar with laughter over the self-apotheosis of self-sufficiency with which, after passing through a marvellous series of soul-transmigrations, the true _ego_ of the performer takes its enfranchised flight, like a beautiful insect. Generally speaking, this is done in the shape of a pretty, elegant night-moth, dressed in black, with silk stockings, and a three-cornered hat under one arm, having, from the moment of its appearance as such, only to deal with the admiring public, not troubling itself about that which previously had been doing it soccage-service. As (_vide_ Wilhelm Meister's 'Lehr-jahren') a special line of parts may so bind and enslave to it some given actor, who, for instance, plays all the characters who have to be cudgelled, or otherwise maltreated, every stage must possess a _sujet_ who undertakes all the parts of the character of _souffre douleur_, and consequently plays those indispensable theatre managers, &c.; at all events, every starring actor has a part of the kind in his pocket, by way of entrance-pass, or letter of credit." "What you say," answered Lothair, "reminds me of a most extraordinary fellow whom I met with in a theatrical troupe in a small town in the south of Germany, who was the exact image of that 'pedant' (to speak technically) in Wilhelm Meister. Insupportable as he now was on the stage in his little minor parts, _praying_ them out in the most direful monotony, it was said that formerly, in his younger days, he had been a capital actor, and used to play, for instance, those sly, scampish inn-keepers which, in older times, used to occur in almost every comedy, and over whose total disappearance from the stage the host in Tieck's 'Verkehrter Welt' complains. When I knew this man he seemed to have completely accepted his fate, which truely had been a pretty hard one, and, in complete apathy, to place no value on anything in the world, least of all on himself. Nothing penetrated the crust which the heaping up of the most complete wretchedness had formed over the surface of his better self, and he was perfectly satisfied with himself under it; and yet there often beamed out of his deep-set, clever eyes the gleam of a higher intellig
PREV.   NEXT  
|<   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338  
339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354   355   356   357   358   359   360   361   362   363   >>   >|  



Top keywords:

complete

 
pretty
 
Wilhelm
 

Meister

 
instance
 
appearance
 

Insupportable

 

technically

 

monotony

 

praying


pocket

 

direful

 
Germany
 

credit

 
answered
 

reminds

 

Lothair

 
extraordinary
 

fellow

 

letter


entrance

 

theatrical

 

troupe

 

pedant

 

penetrated

 
heaping
 

formed

 

wretchedness

 
Nothing
 

surface


clever

 

intellig

 

higher

 

beamed

 
satisfied
 

perfectly

 

apathy

 

comedy

 

keepers

 
capital

scampish
 
disappearance
 

completely

 

accepted

 

truely

 

Verkehrter

 

complains

 

younger

 
cudgelled
 

performer