ed with madness. But on Tyndarus, the
father of her who was slain, laying an accusation against him, the Argives
were about to give a public decision on this question, "What ought he, who
has dared this impious deed, to suffer?" By chance Menelaus, having
returned from his wanderings, sent in Helen indeed by night, but himself
came by day, and being entreated by Orestes to aid him, he rather feared
Tyndarus the accuser: but when the speeches came to be spoken among the
populace, the multitude were stirred up to kill Orestes. * * * * But
Pylades, his friend, accompanying him, counseled him first to take revenge
on Menelaus by killing Helen. As they were going on this project, they were
disappointed of their hope by the Gods snatching away Helen from them. But
Electra delivered up Hermione, when she made her appearance, into their
hands, and they were about to kill her. When Menelaus came, and saw himself
bereft by them at once of his wife and child, he endeavored to storm the
palace; but they, anticipating his purpose, threatened to set it on fire.
Apollo, however, having appeared, said that he had conducted Helen to the
Gods, and commanded Orestes to take Hermione to wife, and Electra to dwell
with Pylades, and, after that he was purified of the murder, to reign over
Argos.

The scene of the piece is laid at Argos; But the chorus consists of Argive
women, intimate associates of Electra, who also come on inquiring about the
calamity of Orestes. The play has a catastrophe rather suited to comedy.
The opening scene of the play is thus arranged. Orestes is discovered
before the palace of Agamemnon, fatigued, and, on account of his madness,
lying on a couch on which Electra is sitting by him at his feet. A
difficulty has been started, why does not she sit at his head? for thus
would she seem to watch more tenderly over her brother, if she sat nearer
him. The poet, it is answered, seems to have made this arrangement on
account of the Chorus; for Orestes, who had but just then and with
difficulty gotten to sleep, would have been awakened, if the women that
constituted the Chorus had stood nearer to him. But this we may infer from
what Electra says to the Chorus, "[Greek: Siga, siga, lepton ichnos
arbyleis]." It is probable then that the above is the reason of this
arrangement.

The play is among the most celebrated on the stage, but infamous in its
morals; for, with the exception of Pylades, all the characters are bad
persons